Fiesta Caliente vol.2 - Yamaha - Deutschland.Sound & Expansion Library - Yamaha USA - page 1.Tell me if you are working on PSR S650, 750, 950, that uses yep sound bank or you are on S670, S770 series. Enildo, please, let´s trade some information. Well, I am trying to make this happen on PSR S750. When this approach is used, most often 3 alternative patterns are created as demonstrated above. 6 remove ALL check marks in "Active Chords Major" and "Active Chords Minor" 5 remove ALL check marks in "Active Chords Major" and "Active Chords 7th" 4 remove ALL check marks in "Active Chords Minor" and "Active Chords 7th"
Redirect these 3 MIDI channels to the SAME keyboard channel.Major pattern in channel 4, Minor pattern in channel 5, and 7th pattern in channel 6 I also have checked some good information on this link:Ĭreate the 3 different patterns in the MIDI Part, e.g. When you say that we use one channel for Major Chord, another for Minor Chord, and other for 7th Chord. Like Enildo said, it´s very intersting put Guitar Loops, or Cavaquinho Lopps, sliceds in wavs, packed in Yep, inside the styles, but the challenge is make the chord changing possible, transposing the slices wavs when we change the chord on left hand.
So, I am still trying to unsderstand how to make this possible. When we use audio "slices", converted in Recycle we are controlling midi notes on the Styles. In fact, we have MIDI file and other MIDI information on Yamaha Styles, not audio file. I am following this topic about audio loops on Yamaha Style and I am also trying to make this work. That's why I suggest looking a a Yamaha style to learn how Yamaha did it. When the correct notes are programmed in the loop, the Operating System will re-map the notes to the correct guitar fingering. The information I cannot help with is what the correct notes are for these guitar loops. so you could have 3 different channels assigned to Chord 1 style Part for more variation. It's actually possible to have 3 chord types. So channel 12 and channel 4 can both be assigned to Chord 1 style Part, but each one will only play with the chord types you specify in the CASM settings. So a Part can play a chord or arpeggio one way with a major chord, and play a different way with a minor chord.Įxample: Chord 1 Part (channel 12) can play the chord a certain way for major chords (maybe strum a certain way - long chord?), then assign channel 4 to also to play the Chord 1 Part for minor chords (and chord strums a different way - short chord?) The way Alternate style Parts work is that the chord types are defined in the CASM. no you cannot have 12 variations of loops in a single style file because there are only 16 channels to work with. I also do understand what you mean by larger and smaller loops. Hopefully one the the computer programmers will post here to help you understand what notes to use in the loops. I may not be able to you help you with this because I do not use CASM Editor, I use StyleMagic. The keyboard Operating System will translate the notes (when correct) to follow the left hand chords. You might want to look at a Yamaha style that has guitar chords or arpeggios to see what notes are used. I have no experience with programming guitar chords for styles, but I think you are looking at this wrong. Quote from: Enildo on August 28, 2017, 06:34:32 PM First, I sincerely apologize for my poor English. How does the keyboard end up which loop to use at the time I am playing a chord of "E" (Em) or "A" (Am), for example? How can I put 12 larger chord loops and 12 smaller chord loops within the same style? (Cm, C#m/Dbm, Dm, D#m/Ebm, E, F, F#m/Gbm, Gm, G#m/Abm, Am, A#m/Bbm and Bm).ģ) In the "CASM EDITOR PROGRAM", a style in the "SFF1" format and in the "CASM EDITOR", in the "CHORDE MUTE SETTINGS" in the "C" button, a channel (Chord1 for example) is used only for major chords and other channel (Chord2 for example), only to minor chords.Ĥ) When a major chord plays (on channel 12, for example), the other minor chord channel (channel 13, for example) is muted. (C, C#/Db, D, D#/Eb, E, F, F#/Gb, G, G#/Ab, A, A#/Bb and B).Ģ) As all the minor chord loops on a real guitar are recorded The information I have at the moment, let's go there:ġ) First all major chord loops are recorded on a real guitar First, I sincerely apologize for my poor English.